EDITORIAL

A feature on Lesego Moncho's works in '‘O mang? O tswa kae? O ya kae? Heritage curated by Boitumelo Maditshaba Makousu's exhibition, written by Abongile VuliZulu Keswa.

Artist Bulumko Mbete reflects on the meaning of memory in her work feartured in the exhibition LOCUS/LOCATION curated by Lesole Tauatswala.

The changes in the South African art landscape demand that we revise some of those slippery art world terms, writes Mary Corrigall. 

Jordan Anthony is in conversation with Matty Monethi for her show En(In)vision.

All of Billy Monk's photographs were taken between 1967 and 1969 in the underground nightclubs of Cape Town. But what was happening in broad daylight, and why was his work never published at the time? 

The artist’s recent solo exhibition explored a personal and collective sense of anxiety about a future in South Africa. 

An artwork born in South Africa but made in France. 

A feature on Lesego Moncho's works in '‘O mang? O tswa kae? O ya kae? Heritage curated by Boitumelo Maditshaba Makousu's exhibition, written by Abongile VuliZulu Keswa.

Strauss & Co presents a single-artist auction devoted to one of South Africa’s most renowned and iconic painters, JH Pierneef.

‘Translating Home’ is an online exhibition of artworks produced by artists from Southern Africa and France. Curator Bontle Tau, a participant of the 2021 Latitudes CuratorLab programme, reflects on the meaning of home and invites us to journey through works by two artists in her group exhibition.

Artist Bulumko Mbete reflects on the meaning of memory in her work feartured in the exhibition LOCUS/LOCATION curated by Lesole Tauatswala.

The changes in the South African art landscape demand that we revise some of those slippery art world terms, writes Mary Corrigall. 

Jordan Anthony is in conversation with Matty Monethi for her show En(In)vision.

All of Billy Monk's photographs were taken between 1967 and 1969 in the underground nightclubs of Cape Town. But what was happening in broad daylight, and why was his work never published at the time? 

Shrines to the minutiae of our lives and the mysteries of death; is still life the artwork of these times? 

Roger Sivuyile Lupuwana knows the beat of South Africa’s creative pulse by heart. We asked him to do some window shopping on Latitudes to choose the artworks he’d most want to take home.

Stephanie Blomkamp is the founder and editor of Oath, a print magazine dedicated to championing African photography. Here she chooses her favourite photography on Latitudes.  

A place for museums, foundations and corporate institutions to contribute to Africa’s shared cultural heritage by showcasing their art collections. 

Art has never been a career that one gets into for the stability. It’s more often than not an urgent calling that can’t be ignored...

Doyle Wham and Latitudes are delighted to present a solo exhibition of Puleng Mongale (b. 1991, Orlando East, Soweto), surveying key works from the artist's burgeoning oeuvre.

All of Billy Monk's photographs were taken between 1967 and 1969 in the underground nightclubs of Cape Town. But what was happening in broad daylight, and why was his work never published at the time? 

The artist’s recent solo exhibition explored a personal and collective sense of anxiety about a future in South Africa. 

Shrines to the minutiae of our lives and the mysteries of death; is still life the artwork of these times? 

African traditions are moving into the mainstream, writes Nolan Stevens. 

The NIROX Residency invites artists from around the world to the Cradle of Humankind. 

Self-taught artist’s multimedia series uses balloons to convey quest for joy and freedom in the midst of struggle, writes Sandiso Ngubane

Mary Corrigall meets with Hussein Salim on the occasion of his largest solo exhibition in Joburg. 

A conversation with artist LR Vandy on the life of a maker, art with meaning, and superhero women. 

One weekend a month, Norval Foundation invites families of all ages to enjoy Family Weekend for artist talks, yoga and art treasure hunts.

For 'This is South Africa', Jenny Nijenhuis sewed the used underwear of rape survivors into a South African flag to be hung upside down - a signal for distress. We go behind the artwork.