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Collector Profile

Meet collector and architectural professional Nkathuto Olwethu Gallant

- by Chelsea Selvan

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Latitudes' Chelsea Selvan interviews architectural professional and art collector, Nkathuto Olwethu Gallant. Nkathuto shares his personal journey through the art world and offers invaluable tips on building an art collection.

Latitudes Online (LO): Tell us a bit about yourself? What do you do?

Nkathuto Olwethu Gallant (NG): I’m an architectural professional and member of MILarchi, where we blend creativity with functionality to deliver impactful design solutions. My passion for both architecture and art fuels my work, and I’ve had the privilege of leading a range of projects, from community-centered developments like churches and schools to unique residential spaces. I’m deeply committed to sustainable design, cultural relevance, and engaging meaningfully with clients to ensure each project not only meets but exceeds their expectations.

In addition to architecture, my love for art has made me an avid collector, which constantly inspires my creative process and influences the spaces I design.

I’m a strong advocate for continuous learning and collaboration. As a leader, I cultivate an environment where my team is encouraged to share their unique perspectives, fostering innovation and collective success. My work reflects my core values of integrity, curiosity, and a passion for using design to make a positive impact.

Nkathuto's featured favourite on Latitudes

Minenkulu Ngoyi, Said a member of the EFFSC II, 2019,  R9,000.00 ex. VAT, presented by curator Bayron Van Wyk

Minenkulu Ngoyi, Said a member of the EFFSC II, 2019, R9,000.00 ex. VAT, presented by curator Bayron Van Wyk

The conversations posed by this piece are of identity, and the space which south africa navigates. 

LO: What initially sparked your interest in collecting art?

NG: As someone who comes from a creative industry you would think that I would have always been drawn into the art space, but like many others I have always found galleries, let alone art collecting, to be a space which intimidated me greatly.

With that being said, Covid was my catalyst of collecting art. Removed from the physical space of galleries, I was able to indulge my fondness of art far more. Making use of online spaces to engage, listen and follow many artists which made the whole space more personable. With that I was able to wash off the fears of not knowing and feel like I could be part of the space of collecting art. 

To put it simply, I was always interested in collecting art but never found the space accessible until I was able to explore it outside of the traditional gallery world.

LO: Do you remember the first artwork you acquired? How did it make you feel? 

NG: Yes, I do. It was a piece by Manyaku Mashilo called Astro Black. I don't remember exactly how I felt acquiring it at the time, it's just so long ago, but I can say that I'm so proud of it being my first piece.

Collecting to me is not only about the actual singular piece but also about being part of someone's journey. Watching them develop their story and craft, and to see where Manyaku is today makes me forever proud to have her piece as the first of my collection.

What is the last artwork you acquired?

That is two fold because I have one in my possession and the other I am currently paying off through a payment plan.
1 - Githan Coopoo's Tease Queen bag. Absolutely adore this and I am eternally grateful for it, thanks to Latitudes and Denzo Nyathi.
2 - Heidi Fourie's 'Easy on the skin', a piece that I am currently paying for through a payment plan 
Heidi Fourie, Easy on the skin

Heidi Fourie, Easy on the skin

LO: You've mentioned that you have a considered way of both collecting and displaying art - could you tell me more about that? What considerations guide you to make a purchase?

NG: Artworks are like conversation starters for me. Whether they soothe with their beauty or challenge their subject matter, I’m drawn to pieces that spark discussion. I tend to gravitate toward art that pushes boundaries and makes me think, often picking pieces that might be a bit unsettling or provocative. It’s about choosing works that reflect broader conversations and encourage dialogue, both within my space and beyond.

Nkathuto's featured favourite on Latitudes

Haneem Christian, Kewpie se Kind - Mother Cheshire, 2023, R18,000.00 ex. VAT, presented by Salon Kewpie

Haneem Christian, Kewpie se Kind - Mother Cheshire, 2023, R18,000.00 ex. VAT, presented by Salon Kewpie

I have always been a fan of Haneem’s work, and the storytelling her works speaks to. It is my dream to own one of her pieces.

LO: What do you find most rewarding about being an art collector?

NG: The most rewarding part of being an art collector is feeling connected to an artist’s journey and holding a piece of history that captures their unique view of the world.

Each piece in my collection speaks to a different aspect of this connection—whether it reflects a shared message or poses questions about the world. Even though not all my pieces communicate the same thing, they each represent a conversation I’m eager to have with others.

There’s something profoundly satisfying about seeing parts of myself reflected in my collection and feeling linked to a broader, shared experience  

Nkathuto's featured favourite on Latitudes

Terence Maluleke, We Are, presented by FEDE Arthouse, not available

Terence Maluleke, We Are, presented by FEDE Arthouse, not available

From the moment I saw Terence's work, I have been in love.

LO: If you were to offer guidance to a new collector or someone just beginning their collection journey, what is one key piece of advice you would share?

NG: Many years ago, before I started collecting, I watched a youtube video where a collector spoke to how her parents encouraged her to start collecting through a simple but ever growing process. To this day I stand by this, as it has guided me through the different levels of collecting.

First, just start. Buy a one of one piece which you truly love, something that you will be proud to have for years to come. Thereafter start with prints, these are accessible to everyone and allow new collectors to own some of their favourite artist pieces. Year on year increase the value of pieces you choose to collect, starting at R3 000.00 - going all the way to R12 000.00, until you reach a threshold where the value of the collecting originals becomes more valuable than that of collecting more prints. In this way I found it easy to transition between prints and originals, something which feels absolutely intimidating at first.

One other key piece of advice I would like to share is that there are payment plans. I know coming from a family who have had to deal with financial constraints, this can seem intimidating at first but there is no better way of acquiring pieces which otherwise would be out of your reach. There is no better way to get access to it. These payment plans allow you to break down the cost into manageable portions, making it easier to acquire pieces that resonate with you. Don’t let the initial price tag deter you from exploring the art world and finding pieces that speak to your soul. Art is for everyone, and with the right plan, you can build a collection that reflects your unique perspective.

Nkathuto's featured favourite on Latitudes

Nathaniel Sheppard III British Broadcast Company ‘24, 2024 R 19,730.00 ex. VAT

Nathaniel Sheppard III British Broadcast Company ‘24, 2024 R 19,730.00 ex. VAT

Nathaniel Sheppard III's ability to capture both the rawness of human emotion and the complexity of modern life sets him apart as a distinctive voice.

Nkathuto's featured favourite on Latitudes

Lady Skollie Waiting, The System is Offline, not available

Lady Skollie Waiting, The System is Offline, not available

 All time favourite artist, she is someone I have followed all the way from the days when she sold pieces on twitter to this very day. I'm pushing to collect as many of her prints as I can. 

LO: Anything art-related you’re looking forward to in the next year?  

NG: I long to travel to an international art fair anywhere in the world, that remains my biggest wish each year.

LO: Why does a platform like Latitudes Online matter?

NG: Since finding Latitudes I have enjoyed the accessibility it has given me to a wide collection of artists and pieces whom I may have never known of. 

It's spaces like Latitudes which gave me the courage to start collecting art.

Nkathuto's featured favourite on Latitudes

Opeyemi Matthew Olukotun State of Mind VI, presented by OOA Gallery (Out of Africa Gallery), not available

Opeyemi Matthew Olukotun State of Mind VI, presented by OOA Gallery (Out of Africa Gallery), not available

I have always been drawn to the fragility/ questioning of masculinity

Further Reading In Articles

African Artist Directory

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