Jillian Ross Print and David Krut Projects are pleased to present a new body of work through an exciting collaboration between William Kentridge, Master Printer Jillian Ross and the David Krut Workshop, together with photogravure experts, Steven Dixon in Edmonton, Canada and Zhané Warren in Cape Town, South Africa.
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William Kentridge, The Old Gods Have Retired , 2022, Photogravure, sugarlift aquatint, direct gravure, drypoint and handpainted chine coll, Papers include found ledgers from early 1900s encyclopedia paper and others, Paper size: approx. 1.745m x 2.147m, Edition: Trial Proof III, Price on request
Standing in the fallout of a global pandemic one takes a retrospective look back at the various drastic adaptations that humanity has very recently undergone. Ushered suddenly into an unanticipated international state of emergency, every sector of contemporary society was forced into an accelerated state of evolution to adapt to a constantly changing work environment.
This collaborative project is a continuation of a process that began as an innovative solution aimed towards creating a series of prints within the confines of self-isolation over great geographical distances. Spanning over three continents, this project seeks to explore and expand on the inventive processes that artist William Kentridge and Master Printer Jillian Ross have developed to collaborate on the creation of a new body of prints.
The making of Studio Life photogravure series in Johannesburg, South Africa
The making of Eight Vessels photogravure in Saskatoon, Canada
Kentridge at work, using the window as a natural light source, Kentridge creates the image that would eventually become "Beckmann's Self-Portrait with Jam Jar and Scissors"
Where it all began
Collaboration history
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Further Reading In Articles
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