We've taken a moment to interview Sera Holland, diving deep into her practice as an independent artist.

How has digital art evolved in the whirlwind time of the Internet, when years pass like decades.

In this episode, host Refiloe Mpakanyane talks to the dynamic New York born, South African-based multi-media artist Thenjiwe Nkosi, who unpacks the genesis and process behind some of her pieces; she sheds light on her studio practice, as well as her emphatic belief that love can be a force for meaningful change.

The National Visual Arts Survey is South Africa’s largest research initiative in the visual arts, and was first undertaken in 2009, resulting in the first major report on the visual arts in 2010. This year, the survey is being undertaken again to assess the changes and developments in the sector since then.

Obásolá Bamigbola can pinpoint the place and time that he picked up a camera with purpose. This Lagos-based photographer had an affinity for image-making from a young age and when drawing and painting failed to satisfy, it was a camera that resonated with his artistic drive.

Latitudes Centre for the Arts (LCA) is proud to present a new exhibition focusing on the work of four artists who offer a thought-provoking window into their interior lives, revealing their most intimate thoughts and delving deep into the new reality and challenges of our contemporary lives.

Host Refiloe Mpakanyane talks to San Francisco based Charles 'Chuck' Collins. Whether working in law or heading up his real estate development company or sitting on the board of the San Francisco Museum of Modern Art, Collins’ career has always bent toward improving the lived experiences of communities. Take a listen.

Contemporary art is often criticised for its gradual abandonment of visual coherence in favour of the abstract. In other words, contemporary art’s pretentious dimensions have expanded to include its explanations. This is art because it is art: we’re trapped in a tautological circle. Not only could a child have produced this, but words used to mean things, you know. The greater the waffle, the worse the art; right?

Curating in the African context is rarely a singular pursuit. In South Africa, as is the case across much of the African continent, interest in curatorial practice is high, while sustainable opportunities and platforms for curators remain slim.

RMB Latitudes CuratorLab is a practice-based, online curatorial residency for emerging curators in Africa. In 2024, ten aspiring curators will be guided through a facilitated online residency, designed to offer practical experience in the industry and to hone their curatorial skills.

In this episode, Alastair  Meredith chats to Refiloe Mpakanyane about his fascination with South African modernist art; where it all started and why the genre remains the gift that keeps on giving to the South African public and the world.

Le Guin tells us that fiction can be like the carrier bag, a receptacle for all sorts of incidentally found things, and I want to venture that the paintings included in Hedwig Barry’s solo exhibition, Unrest, on show at Guns & Rain until 27 October, do the same thing. They too are tools “that [bring] energy home”.

The contemporary condition is such that there are no longer any art movements – even if there are discernible aesthetic or conceptual qualities characterising the art finding favour.

Capital Art is an art collection management service and the first focusing on empowering collectors of modern and contemporary African art.